Ebook Brain Bugs: How the Brain's Flaws Shape Our LivesBy Dean Buonomano

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“Excellent. . . . [Buonomano] reveals the intricate limitations and blessings ?of the most complex device in the known universe.”―The Atlantic

The human brain may be the best piece of technology ever created, but it’s far from perfect. Drawing on colorful examples and surprising research, neuroscientist Dean Buonomano exposes the blind spots and weaknesses that beset our brains and lead us to make misguided personal, professional, and financial decisions. Whether explaining why we are susceptible to advertisements or demonstrating how false memories are formed, Brain Bugs not only explains the brain’s inherent flaws but also gives us the tools to counteract them. 10 illustrations

• Sales Rank: #356287 in Books
• Published on: 2012-08-06
• Original language: English
• Number of items: 1
• Dimensions: 8.20" h x .80" w x 5.50" l, .60 pounds
• Binding: Paperback
• 320 pages

Review
“[An] intriguing take on behavioral economics, marketing and human foibles.” (Kirkus Reviews )

"Writing a book about the hardware and software flaws of the human brain is an ingenious idea, and Buonomano has fully delivered on its promise. To a degree that is difficult for most of us to imagine, much less understand, our successes and failures, joys and sufferings, are the product of protein interactions and electrical changes taking place inside our heads. Brain Bugs is a remarkably accessible and engaging introduction to the neuroscience of the human condition."
Sam Harris, author of the New York Times bestsellers The Moral Landscape, and The End of Faith

"In Brain Bugs, Dean Buonomano has brilliantly pulled off what few psychological scientists can do. In elegant and clear writing, he masterfully conveys the astonishing capability of the human mind, along with its flaws and limitations."
Elizabeth Loftus, Distinguished Professor at the University of California, Irvine, and author of Eyewitness Testimony

"He takes readers on a lively tour of systematic biases and errors in human thinking, citing examples that are staples of psychology courses and other popular books. What is new, however, is Buonomano’s focus on the mechanisms of memory, especially its "associative architecture," as the main causes of the brain’s bugs."
Christopher Chabris, New York Times

"What makes the book all the more compelling is the lucidity with which Buonomano recognizes, amidst its weaknesses, the brain's insurmountable strengths, feats artificial intelligence is ages from reaching--most notably, its remarkable penchant for pattern-recognition and what Buonomano calls "the inherent and irrepressible ability of the brain to build connections and make associations."
Maria Popova, The Atlantic

"One of the things I liked most about this book was the way it leaps from neuron to brain and then to person and on to society and back again, making useful comparisons all the way."
Susan Blackmore, Focus Magazine

About the Author
Dean Buonomano is the author of Your Brain Is a Time Machine and Brain Bugs: How the Brain’s Flaws Shape Our Lives. A neuroscientist and professor at UCLA, and a leading theorist of the neuroscience of time, he lives in Los Angeles, California.

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Download Ebook Rethink Food: 100+ Doctors Can't Be Wrong

Download Ebook Rethink Food: 100+ Doctors Can't Be Wrong

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• Sales Rank: #17446971 in Books
• Published on: 1600
• Binding: Paperback

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Get Free Ebook From Beethoven to Bill Evans: WESTERN HARMONY SIMPLIFIEDBy Tom Regis

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From Beethoven to Bill Evans: Western Harmony Simplified is a unique music “theory” book. Author Tom Regis draws from his background as a classically trained pianist steeped in various ‘popular’ styles, and, also as a writer and former attorney, to organize a seemingly complex subject into its most fundamental components. The result is a study of harmony that provides a careful step by step analysis designed to open the reader to the simple idea of the seven tone system that lies at the core of the Western musical heritage. The book is unique in that it not only provides the kind of exercises and examples we have become familiar with in a music theory book, but also in its from the ground up presentation of the organic mechanisms that build this system. This is neither a purely jazz or classical approach to learning harmony; it is an approach that views all of Western music as being derived from the same source. At times detailed in the text and not shy of a philosophical bent, the author has also kept the presentation simple, utilizing a piano keyboard graphic as the basis for the numerous examples. An extensive appendices section contains reinforcing materials for the body of the book as well as materials designed for more detailed study. These sections continue to use the piano keyboard graphics but also introduce examples in a staff note format that can include those readers inexperienced with musical notation. About the author The author is a pianist and composer presently residing in South Florida. He has worked with many greats of the music world including Celia Cruz, Eddie Gomez, Ofra Haza, Hans Zimmer, Michael Brecker and others. As a composer, he has placed numerous pieces on national television shows including Good Morning America, Oprah, the West Wing, and One Life to Live. Mr. Regis is currently working on a book outlining composer Arnold Schoenberg’s masterwork on Classical harmony, the Schoenberg Theory of Harmony.

• Sales Rank: #1916629 in Books
• Published on: 2012-06-13
• Original language: English
• Dimensions: 9.25" h x .61" w x 7.50" l,
• Binding: Paperback
• 268 pages

About the Author
Tom Regis is a pianist and multi-instrumentalist whose childhood was filled with the music of Beethoven, the Beatles, and the Allman Brothers, as well as his mother singing American standards. After high school, Tom’s musical course veered towards New England Conservatory and the tutelage of Ran Blake, Madame Chaloff, Charlie Banacos and Joseph Manieri. During this period, Tom was introduced to the hypnotic pulse of Latin grooves and began his life-long involvement with performing, composing, arranging and teaching Afro-Cuban music. Tom achieved various credits in this area including a two year stint performing with Celia Cruz. Tom's musical journey also led him to the recording studio scenes of New York City, Los Angeles, and Tel Aviv. Tom worked with many great names of the music world including Eddie Gomez, Ron Carter Michael Brecker, Randy Brecker, Will Lee, Marcus Miller, Phoebe Snow, Patti Austin, Omar Hakim, Danny Gottlieb, Michael Bolton, John Taylor (Duran Duran), Grace Jones, Marianne Faithful, Tone Loc, Rafi, Gilberto Gil, Cheb Mami, Teddie Pendegrass, Johnny Clegg, Celia Cruz, Ofra Haza and others. Tom also composed numerous songs, jingles, and underscores, many of which have been placed in shows including the West Wing, Oprah, One Life to Live, Reba, and others. In 2004, Tom graduated law school and practiced law for five years in Los Angeles while continuing to compose, and perform (with gospel artist Eileen Seals and the Church of Destiny Band, and others). In 2008, Tom began writing From Beethoven to Bill Evans: WESTERN HARMONY SIMPLIFIED, completing the book in early 2012. Tom is presently living in South Florida and is working on composing original material and performing locally playing jazz, rock, and blues. Please visit Tom’s website www.tomregismusic.com for additional information.

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Ebook Free The Shakespeare Riots: Revenge, Drama, and Death in Nineteenth-Century AmericaBy Nigel Cliff

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One of the bloodiest incidents in New York’s history, the so-called Astor Place Riot of May 10, 1849, was ignited by a long-simmering grudge match between the two leading Shakespearean actors of the age. Despite its unlikely origins, though, there was nothing remotely quaint about this pivotal moment in history–the unprecedented shooting by American soldiers of dozens of their fellow citizens, leading directly to the arming of American police forces.

The Shakespeare Riots recounts the story of this momentous night, its two larger-than-life protagonists, and the myriad political and cultural currents that fueled the violence. In an engrossing narrative that moves at a breakneck pace from the American frontier to the Mississippi River, to the posh theaters of London, to the hangouts of the most notorious street gangs of the day, Nigel Cliff weaves a spellbinding saga of soaring passions, huge egos, and venal corruption.

Cliff charts the course of this tragedy from its beginnings as a somewhat comical contretemps between Englishman William Charles Macready, the haughty lion of the London stage, and Edwin Forrest, the first great American star and a popular hero to millions. Equally celebrated, and equally self-centered, the two were once friends, then adversaries. Exploiting this rivalry, “nativist” agitators organized mobs of bullyboys to flex their muscle by striking a blow against the foppish Macready and the Old World’s cultural hegemony that he represented.

The moment Macready took the stage in New York, his adversaries sprang into action, first by throwing insults, then rotten eggs, then chairs. When he dared show his face again, an estimated twenty thousand packed the streets around the theater. As cobblestones from outside rained down on the audience, National Guard troops were called in to quell the riot. Finding themselves outmatched, the Guardsmen discharged their weapons at the crowd, with horrific results. When the smoke cleared, as many as thirty people lay dead, with scores more wounded.

The Shakespeare Riots is social and cultural history of the highest order. In this wondrous saga Nigel Cliff immerses readers in the bustle of mid-nineteenth-century New York, re-creating the celebrity demimonde of the day and capturing all the high drama of a violent night that robbed a nation of its innocence.

• Sales Rank: #72734 in Books
• Published on: 2007-04-17
• Released on: 2007-04-17
• Format: Deckle Edge
• Original language: English
• Number of items: 1
• Dimensions: 9.57" h x 1.12" w x 6.60" l, 1.30 pounds
• Binding: Hardcover
• 312 pages

From Publishers Weekly
A dispute over Shakespeare resulted in a deadly riot on May 10, 1849, at New York City's Astor Place Theatre, where armed militiamen clashed with theatergoers, gangsters and bystanders. In the melee, some 50 soldiers and 50 civilians were wounded and more than 20 civilians killed. Cliff, a former theater and film critic for the London Times, sees the riot as symbolic of a young America trying to find its cultural voice and resentful of what some saw as British cultural imperialism. The fatal dispute was between two Shakespearean actors, the intellectual Englishman William Charles Macready and American working-class hero Edwin Forrest and began when Forrest hissed at Macready's performance of Hamlet in Edinburgh. This book ranges widely, from the 1809 riots at a Macbeth performance at London's Covent Garden to Shakespeare's popularity on the American frontier, where his plays helped pioneers wrestle with fundamental questions about human nature, and America's old and new money classes as immigrants flooded into the country. Nicely illustrated with contemporary photos and cartoons, Cliff's informative, engrossing if somewhat scattered debut recreates a time when the Bard inflamed passions in lower classes and gentry alike, and when America's theaters "were a crossroads of a whole society." (Apr. 17)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
During the evening of May 10, 1849, a massive riot broke out in Astor Place in New York City, involving at least 20,000rioters, causing scores of fatalities, and leading to the use of the military in quelling the violence. But this was no typical street quarrel between ethnic gangs, and it certainly wasn't a case of have-nots driven to rage by their poverty. Rather, the rival gangs were fighting on behalf of two unlikely antagonists, both of them prominent Shakespearean actors. William Macready was an aristocratic, foppish actor acclaimed by elites in New York and London; Edwin Forrest was the darling of working-class theater fans. Cliff, the former film and theater critic for The Times of London, tells their story and the story of their followers with considerable verve and a consistent sense of irony. He supplies a wonderful portrait of mid-nineteenth-century New York as an emerging metropolis, and the tale set there is an enjoyable but unsettling mixture of farce and tragedy. Both general readers and those with a special interest in the period will find much to enjoy here. Jay Freeman
Copyright © American Library Association. All rights reserved

About the Author
Nigel Cliff was educated at Oxford University, where he was awarded a double First in English and the Beddington Prize for English literature. He is a former theater and film critic for the London Times and a contributor to The Economist. This is his first book.

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